Two notes, with no pretense to originality, from my most recent reread of The Lord of the Rings (probably the 15th lifetime or something like that):

1. One of the many things that elevates Tolkien’s trilogy to true greatness is how deep and subtle an exploration it offers of political philosophy/theology. What is the ideal king like? What is the good, if any, of political violence? How is power to be used? What is true peace? What does a flourishing society look like? What responsibilities do we have to the past — and the future? What is true greatness, and what responsibility do the great have to the humble? Tolkien addresses all these questions, and more: sometimes by way of explicit statement (usually in the mouth of Gandalf, Aragorn, Elrond, or Faramir); sometimes less directly but still explicitly spelled out in the course of events (the tragedy of Boromir, or the Scouring of the Shire); sometimes more by the narrator’s showing than telling (the spiritual dimension of the conflict, or the changes in narrative voice and register). One wonderful narrative example: the transformation of Merry and Pippin through their great deeds and their sufferings (and the Ent-draughts), and the great authority and “lordliness” they possess on returning to the Shire — yet without losing their deep love for and connection to the Shire and its people, who do not really understand what they have survived and done.

2. The conflict in The Lord of the Rings is more spiritual than it is material. Of course there is much heroic violence and the clashing of great armies and many glorious deeds and so forth; but Tolkien perceives, and shows, that his heroes and armies depend more on their hope and the strength of their spirit than on their bodies and their arms, and that before and after any physical blow is struck the chief weapon of the Dark Lord and his servants is fear and despair. The powerful weapons and tokens that appear in the story — Aragorn’s sword Andúril, Galadriel’s star-glass — all work by possessing and exerting a spiritual influence to bring hope and courage in dark places. Most of all, the One Ring is no mere MacGuffin, but it is a malevolent agent in the plot: drawing the allies of Mordor to harass and hunt down the Ring-bearer, while tempting the Ring-bearer and his companions with delusions of grandeur and unearned power — yet ultimately the Ring’s malicious hold over the wills of both Frodo and Gollum is its own and its true master’s undoing. The strength of will and spirit of any character is always his or her most important and relevant feature to the plot, before the ability to perform any particular deed. So the great ones — Gandalf, Aragorn, Galadriel, and Faramir — all pass the test by refusing to take the One Ring from its humble yet rightful bearer, so enabling the only bearers who could creep undetected into Mordor to take the Ring to the Mountain of Fire. Aragorn has the strength of will to wrestle with Sauron in the palantír of Orthanc, so inducing him to strike Gondor before he is fully ready. Sam fights off the Ring’s temptation on the fences of Mordor by love for his master and the characteristically hobbitish practical humility (a small garden at home is quite enough for him to manage!). The spiritual dimension of the conflict is more important to its progression than the material. A lesson for us all.